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History and significance of the mona lisa arts essay

Mona Lisa — the most intriguing painting Posted by on Sep 9, 2009 history and significance of the mona lisa arts essay Art Essays Mona Lisa, 1 the portrait of a beautiful Florentine woman is probably one of the most known feminine images in the world, painted by the greatest artist of The Italian Renaissance Leonardo da Vinci. Since 500 years its magnifying power has been inspiring unsolved mysteries and multitudes theories, concerning the origins of the characteristics deeply psychological expressions on her face: Regarding to the above statement, I would like to expose few of many circulating suppositions as well as generally accepted facts, concluding with my personal opinion about it.

First I would like to introduce some generally recognized and accepted by scholars evidences: In June 1472 he was accepted to the Guild of painters in Florence. With his multitalented mind he was exploring with scientific approach wide range of interests. From 1505 until 1506, he was mostly working on the portrait from his memory, as he used to do with other paintings as well. He wanted to keep it for himself. Sometimes around 1510 and 1513 he finished it to some degree. Whenever da Vinci went, he always had the portrait with him, and never parted with, adjusting time to time some details on it, looks like he never finished it according to his standards.

Mona Lisa was painted in precursory technique developed to the perfection by da Vinci, the Sfumato style. It had extra two columns on both sides, which were cut out probably to fit in an expensive frame or assign place. To paint the portrait, Leonardo used the large piece of poplar-wood.

Her indecisive smile 16 is rather philosophic and not too evident. It looks as she is in the way to stop her intention to smile. One thing is certain, whoever had seen the portrait was deeply amazed by the quality he depicted the human face.

Her extremely elaborated futures perfectly shadowed, with perfectly balanced light were appreciated then as well as now.

Looking at the painting stunned Raphael, who visited Leonardo in his atelier many times. The undisclosed place of rocky mountains emerging from a thin mist of hidden natural paradise is not as any other landscapes painted by him before. Leonardo used in this portrait as one of the first a technique known as aerial perspective.

He sold the Mona Lisa portrait to the King for 4000 golden crowns. The mystic power of Mona Lisa attracted also thieves and mentally unstable individuals. First, the paining was heavily damaged by acid, and then on the 30th of December a tourist 25 threw a stone at the portrait. Mona Lisa was exposed outside of the France few times in different countries, 26 then by international agreement it was decided that the painting would stay permanently in Louvre, Paris, where it will be properly protected behind the triplex glass.

He was cautious in each aspect of his activities, which in the light of his particular interests in human anatomy and mysterious inventions, 28 was a necessary must.

  • The painted Muse is connecting two similar and different worlds, unclear to them, appearing from the mist of incertitude;
  • Leonardo was studying the aspects of human vision; therefore he probably knew how to build this kind of disappearing, when looked directly, at the smile;
  • Leonardo da Vinci was well-advanced individual leaving and thinking ahead of his contemporaries;
  • Slobodan Prvanovic, in Institute of Physics in Belgrade, did interesting research.

The sensationalism around her was created by curiosity to identify who is behind the enigmatic face. Some scientifics tried to prove, that Leonardo painted himself as a woman.

He could make a joke wandering if anybody would recognize him in such camouflage or just from simple curiosity wanted to see how he would look as a woman. He tried to recreate her smile as he remembered. Such argumentation could be possible. The possibilities of his theories are however questioned by many. Andre de Havesky, in his essay published in 1952 in the Gazette des Beaux-Arts, suggested another probability. Francesco Giocondo just lost his second wife and was willing to marry again, as fathers of both families were friendly to each other, they come to an agreement and the couple got married in 1495.

Because of significant age differences, Lisa was 19 years younger than her husband.

  • He concluded his observations stating that the smile is an overlying composition of two forms of lips, happy and unhappy;
  • He concluded his observations stating that the smile is an overlying composition of two forms of lips, happy and unhappy;
  • They did a survey using twelve observers showing them images of different parts of her lips and eyes applying noise on them;
  • The Mona Lisa demonstrates this aspect of his treatise perfectly in that La Giaconda is dressed in a coloured shift, loosely pleated at the neck, instead of the tight clothes that were then popular.

Da Vinci discovered a beautiful young soul, which gave him strength and desire to realize something extraordinary. He found perfect model to do it. Some scholars propose as logical explanation Isabella of Aragon, 37 Duches of Milan. Then he knew certainly Isabella of Aragon, his patroness. Some sources went even further, disclosing their clandestine marriage in 1497. As long as there are very little reliable written sources to contest such possibility, this matter is just another possible supposition.

According to her research the woman painted by Leonardo da Vinci is Isabella of Aragon, to whom he was something more than just a dear friend. In order to promote her theory, she intends to come to Paris and distribute her book for free around Louvre. Little less popular among scholars speculation concerning Mona Lisa is the idea that she is a mistress of Giuliano de Medici, who asked Leonardo to paint her for him in discreet way.

The facial nerve has undergone partial wallerian degeneration. Further more, Borkowski JE.

Mona Lisa Reflection Essay

Her enigmatic expression is current to the individuals who have lost their front teeth. They did a survey using twelve observers showing them images of different parts of her lips and eyes applying noise on them. Slobodan Prvanovic, in Institute of Physics in Belgrade, did interesting research. Using the principals of quantum mechanics, he collected the impressions of different moods caused by watching the painting with interruptions.

He concluded his observations stating that the smile is an overlying composition of two forms of lips, happy and unhappy. By using the soft shadowing, Leonardo was able to joint those two different shapes together, creating the distinct smile. However, the smile become evident when we look at other parts of her face.

Human eye is using two different types of vision, foveal 42 and peripheral. Leonardo was studying the aspects of human vision; therefore he probably knew how to build this kind of disappearing, when looked directly, at the smile. In the age of computerization our possibilities to decoy any mysteries will consequently grow. We know now the height of Mona Lisa.

Mona Lisa – the most intriguing painting

She was 5 feet and 6 inches tall. X-rays scanning of Mona Lisa shows another three faces under the original surface. It may be possible; that Leonardo could change few times the face until he got what he wanted: Mona Lisa culminated somehow his scientific approach to the art of painting.

In conclusion based on all information I was able to obtain and scrutinized, I would like to believe in a romantic story of love and passion between Leonardo and his Muse, whoever it was. The eyes are speaking to the lover in admiration of the instance. The painted Muse is connecting two similar and different worlds, unclear to them, appearing from the mist of incertitude. The landscape on the right side of the woman looks more solid, somehow much better organized: On the left side the landscape is evidently divided by water on two parts.

In the lower part, the road is not straight divided by a large river symbolizing the passing time, and the higher part symbolizes unknown future. Artists sensibility might feel that at the end of this road he has to pass to the other time, the less fortunate one. The bridge on the right side might symbolize a possible connection to the road on the left, but the possibility is just suggestive.

  • In the lower part, the road is not straight divided by a large river symbolizing the passing time, and the higher part symbolizes unknown future;
  • Whenever da Vinci went, he always had the portrait with him, and never parted with, adjusting time to time some details on it, looks like he never finished it according to his standards.

We know that this painting he had always with him since it was created, and Leonardo many times reworked it in some details. Every time he did some corrections or adjustment, he was caressing his memories of beautiful moments he enjoyed in her company. However the logical conclusion will be quite different.

I think that for Leonardo as a progressive artist, Mona Lisa was his laboratory of scientific research on painting mediums, compositions, visual effects, etc. He might decide to have one, when he started to paint the portrait of the model in front of him. He probably realized that he discovered his psychoanalytic power in depicting the human psychological portraiture and wanted to explore it more than ever.

Mona Lisa became a practical Bible of his researches. He decides to explore his scientific innovations in many subjects. Mona Lisa was probably an important element of his scientific explorations. To create an artwork which constantly provokes the viewer. Leonardo da Vinci was well-advanced individual leaving and thinking ahead of his contemporaries. Leonard de Vinci, Le Carnets, introduction H.

French edition Parragon Books Ltd, 2006. Tyler, What makes Mona Lisa smile? Meyer Schapiro, Leonardo and Freud: