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The music of world war two music essay

  • Songs that the soldiers listened to daily often held medicinal purposes as well;
  • Days Two and Three;
  • But he was unable to believe that his beloved homeland was unshakably in the grip of what he viewed as street-brawlers and psychopaths;
  • One of the last entries concerned a concert he had attended;
  • Closure Using the above information gleaned from the handouts, have students complete the following;
  • I felt that a really great work of music was a stronger and more essential contradiction to the spirit of Auschwitz than words could ever be, he wrote after the war.

Playing a Role in the War: One never hears much of the role of music during World War II; the topics most commonly talked of include the holocaust, Pearl Harbor, atomic bombs and other deadly innovations and events of the time period.

It was developed as a medical therapy, played to soldiers on the front lines, as well as broadcasted on the radio to spread the good feelings that music brought to all who listened, on both the home front and abroad. My research revealed that music did in fact play a significant role in the lives of soldiers both abroad and in their return home. Before, during and after World War II, music had a growing impact on troops, and it is this impact that has caused music therapy as a medical technique to grow dramatically since its establishment in World War II.

This topic drew my attention from the very start, due to my connection with many of the songs from this time-period shared with me through my own grandfather.

  • It was developed as a medical therapy, played to soldiers on the front lines, as well as broadcasted on the radio to spread the good feelings that music brought to all who listened, on both the home front and abroad;
  • Days Two and Three;
  • Civic Responsibility, " Smithsonian;
  • With clouds of gunsmoke added to the din of combat, oral commands or personal example were not always reliable means of giving direction to an army;
  • The musical world has always had its own politics and frequently Byzantine backstage intrigues, but the greatest artists — whatever their medium — prefer to inhabit an inner, spiritual world that does not mix comfortably with ideological and political priorities.

Wedding photograph of Howard Sarty and his wife Yvette whom he wrote letters to. A copy of the letter containing the reference to the song "Ten Days With Baby. Music therapy had its beginnings earlier than World War II: However, music therapy use and development grew significantly during this era. According to Annegret Fauser: Songs that the soldiers listened to daily often held medicinal purposes as well.

Through the messages that the popular songs of this time-period portrayed to the listeners, troops were able to stay connected to home more easily. Many if not most, of all of the love songs written during this time period stressed the long absences that often occurred between loved ones during the war, and helped bridge the gap that arose when letters were unable to travel fast enough.

Music reminded them of who they were fighting for and who they would return home to when the war was over, thus boosting their morale and encouraging the soldiers to work hard to end the war. When abroad as a soldier, radio was one of the surest ways to hear music and these popular songs.

  1. Songs that the soldiers listened to daily often held medicinal purposes as well. An order that was not heard — or worse, not understood — could be as dangerous as the enemy.
  2. Pianist Walter Gieseking promoted German Kultur by means of tours in neutral countries. American soldiers and Marines were quite unnerved by the haunting sound of the Chinese bugle calls, stylistically alien to their ears, echoing among the dark hills around them.
  3. Every nation eventually adopted its own signature march — the precursor of the modern national anthem — and its troops were required to memorize it as well. During the first half of the Middle Ages, music was found in the courts and churches of Europe but not on the battlefield.
  4. With clouds of gunsmoke added to the din of combat, oral commands or personal example were not always reliable means of giving direction to an army. Jazz and swing music, naturally, were verboten.

He believed that the voice from home would work wonders for the American forces assembling in Britain. Eisenhower realized the power of the radio and its ability to connect the troops and their loved ones at home.

Is for Teachers.

The broadcasting company established in Britain was known as the American Forces Network, and it eventually traveled to Germany with the masses of American soldiers when the front was on the move.

Music on the Front Lines: Called the Wolf Pack Band, we would play mostly swing tunes.

  • In October the Kremlin ordered him flown out of the city to the wartime capital of Kuybyshev on the Volga River;
  • Resourceful commanders had a way of sneakily turning those conventions to their advantage;
  • What do you miss most about home?
  • Music on the Homefront "Rosie, the Trumpeter?
  • The voice of the trumpet and the cadence of the drums were clear and unambiguous, making them vital to command and control;
  • With clouds of gunsmoke added to the din of combat, oral commands or personal example were not always reliable means of giving direction to an army.

Brubeck often played in harsh conditions and often was located very near the front. At one point, he was even found ahead of the front and narrowly escaped with his life.

  1. Amid the smoke of battle, a column of troops on the move half a mile away might be friendly or hostile, but even if their battle standard was obscured, they might be identified by their march music.
  2. How it must have galled Josef Goebbels not to have thought of it first! Marches were still effective in all their customary roles, and the popular song again became the vehicle for knee-jerk sentiments.
  3. This article was written by William R. Among the Saracen instruments adapted were the anafil, a straight, valveless trumpet; the tabor, a small drum, sometimes snared; and the naker, a small, round kettledrum, usually deployed in pairs.
  4. Resourceful commanders had a way of sneakily turning those conventions to their advantage. American audiences received it ecstatically, however.

Music played an integral role in the lives of the soldiers. Not only were they kept distracted from the aspects of their daily lives in combat, but they were also greatly assisted by music upon their return from the war.

With the development of the music therapy field at this time, one can see that the troops returning had a better, more positive outlook on life than in previous wars and music was a large contributor.

American Music Goes to War

Through the war-themed songs that were played on the radio abroad, as well as the WAAC bands and troop bands that were established during this time period, music defied the odds and brought close the soldiers and civilians in a way like never before.

Howard Sarty, Letters of Howard Sarty, 1942-1945. Oxford University Press, 2013: Accessed October 9, 2015.

Music of the World War II Era

Oxford University Press, 2013127. Crowell Company, 1957326.