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A feeling of waste in romeo and juliet a romantic tragedy by shakespeare

Shakespeare presents many attempts in the play to bridge the hatred between the families, but only the deaths of the lovers has the potential to make a lasting difference. Romeo expresses his rapture: During the balcony scene Romeo and Juliet express their deep love and devotion to for each other.

Romeo and Juliet

Juliet refers to the ambiguity of love and the fact that love and hate are intertwined: She is deeply saddened by the fact that Romeo is a Montague. Shakespeare suggests that the love has the potential to bridge the feelings of animosity and hatred that swirl between the two families and for this reason Friar Lawrence agrees to wed Romeo and Juliet.

  1. It refers to the confusion in the mind of the hero.
  2. In other words, Shakespearean tragedies help the audience to feel and release emotions through the aid of tragedy.
  3. Tragedy is a serious play or drama typically dealing with the problems of a central character, leading to an unhappy or disastrous ending brought on, as in ancient drama, by fate and a tragic flaw in this character, or, in modern drama, usually by moral weakness, psychological maladjustment, or social pressures.

He believes that it is unreasonable for the two lovers to be separated by their feuding families. He also believes that the marriage between the two families potentially could solve the aimless fighting that haunts the streets of Verona. The Prince castigates both families: Likewise, the oxymoronic contrasts relating to the death-love nature of their relationship also injects a sense of poignancy. Despite the hatred, Romeo and Juliet are intuitively and romantically drawn to each other and harbour a desire to rise above petty grievances.

Shakespeare suggests that love is far superior to hatred and does not respect borders and barriers.

Shakespeare compares their love with other versions of love in the play to show their superiority and maturity: The contrasting darker forces of hatred inject a sense of urgency into the relationship and lead to risk-taking sacrifices as an expression of their love. Tybalt and Mercutio represent the dark forces of each family that threaten the peace and undermine the profound love of Romeo and Juliet.

Shakespeare suggests that these malign forces are disruptive and divisive and only lead to death. As a fiery Capulet, Tybalt plays a prominent role in perpetuating the feud through his provocative and misguided attempts to protect their family pride.

This is particularly evident during his fatal encounter with his mirror image, Mercutio. Both lovers are expected to conform to the sexual conventions of their society which forbids them the liberty of speaking their own lines. Juliet meets the masked Romeo at the Capulet ball and both are unaware of their group identities before they fall in love.

Nameless, they are not hemmed in by social convention. Although forbidden, their love is also inspirational and exalted, particularly because of the maturity of both the young stars as evident in their deft language choices and sensible tone. In her turn, Juliet seeks to resist the male desire inherent in the patriarchal power-structure to turn her into a compliant female without choice or desire.

That Shakespeare gives Juliet equal right of reply in their first sonnets sets the scene for a relationship forged on mutual attraction and a love that is reciprocal and equal. Shakespeare challenges the subordinate role of the female in conventional sonnets of the time to depict Juliet as an equal partner who is not typically silent.

Their equality is evident during their first romantic first encounter, where the young lovers speak, touch, then kiss in the course of sharing a sonnet. In this case the lovers each speak in quatrains; the passionate pilgrim, Romeo, speaks first, and unlike other 16th century traditional sonnets wherein the female voice is silent, Shakespeare gives Juliet the right of reply, showing a greater sense of power of the feminine.

Juliet is distrustful of fancy phrases and implores Romeo to speak as plainly as possible. She suggests that no matter what one calls a rose, its quality would be the same. He struggles to assert a self that is not confined to the boundaries of the feud and indeed to the language of that feud. Like Romeo, Juliet struggles to avoid the language that seeks to confine them both to an established sexual order.

Rather, Juliet asks Romeo to avoid slipping into the role of devoted worshipper at her shrine. Capulet and Montague agree to bury their feud in light of the tragedy that has befallen their families and the incredible sacrifice of the lovers.

What Is a Shakespearean Tragedy?

Who is to blame? The continual feud between the Montague and the Capulet families results in ongoing conflict. There are many factors that are responsible for the deaths of Romeo and Juliet. Friar Lawrence, fate and their parents can be held responsible for their tragic demise. But the lovers and Friar Lawrence, unwittingly, make decisions that undermine their best intentions.

They seem to choose against themselves.

The feuding families To a large extent, the feud is responsible for the tragic deaths. Juliet and Romeo are both determined to find a way to be together and get married despite their enemy status.

Lord and Lady Capulet force Juliet to marry Paris without asking her opinion because they assume that she will obey them. Reflecting the patriarchal views about women, Capulet implies that Juliet is his property: When she does not obey their orders, Lord Capulet angrily retorts: Go to the church on Thursday, or never look on my face again! Ironically, the chain of events undermines his best intentions. Whilst he preaches moderation and restraint, his plan gives rise to extreme actions.

During his initial soliloquy, he tends lovingly to his plants, which he collects to make medicines.

Using the analogy of the natural world, he notes that a disturbance to this natural balance has malign consequences. This harmony can be replicated in human lives so long as passion and desire are appropriately restrained.

Such comments foreshadow the simmering feud between both Tybalt and Mercutio, who misapply the notions of courage and honour, with disastrous consequences for the lovers. Shakespeare constructs the two figures, Mercutio and Tybalt, as mirror images of their different families.

Both incite hatred and inflame the tension between the two clans. Both bear a grudge against each other. They both use words and phrases to deliberately offend each other. Mercutio is just as provocative as Tybalt. His language and his words are very inflammatory. As a result, Mercutio interprets this offensively. He refuses to listen to reason from either Benvolio or Romeo.

Tybalt bears a grudge against Romeo from the time he comes to the ball. He also feels slighted that Lord Capulet seems to have protected Romeo at the ball. He recklessly and impulsively stabs Mercutio thus precipating a chain of events that leads to the death of both Romeo and Juliet. They refuse to settle for peace. They deliberately use inflammatory words and spoil for a fight. Romeo Romeo has a tendency to be impulsive and this contributes to his exile.

Even Friar Lawrence tries to warn him about the unforeseen consequences of impulsive actions. In his own way, Romeo unwittingly contributes to his demise because of his inability to constrain the two warring foes during the fatal encounter that precipitates his exile. Tybalt and Mercutio are both spoiling for a fight and ironically, the more Romeo seeks to reconcile the two enemies, the more he provokes the duel. Shakespeare uses dramatic irony to show the differences between Mercutio and Tybalt who seek to provoke each other, and Romeo, who prioritises peace and reconciliation.

He struggles to articulate the consequences of his profound love that have an impact upon his conduct.

Definition and Characteristics of Shakespearean Tragedy

However, his offer of peace is misinterpreted by Tybalt as a reason to fight. He imagines that his love has weakened him. Only when it is too late, he realizes how foolish he has been. Sadly, Romeo also panics when he sees Juliet in the casket. Romeo ends up distraught and unable to think clearly: Juliet blindly places her faith in Friar Lawrence and when the plan backfires both Romeo and Juliet are too young, naive and innocent to think of other remedies.

Although love and peace are his main aims, Friar Lawrence instigates the dangerous plan that has disastrous consequences. Also he knows that Juliet is threatening to kill herself if he does not find a solution. The plan appears simple, but is risk-laden. It encourages Juliet to deceive her parents. She feigns death which leads to disaster upon the lack of communication with Romeo.

Juliet blindly places her faith in the Friar and when the plan backfires both Romeo and Juliet are too young, naive and innocent to think of other remedies. He does not have any back-up plans. Friar John is held up by the authorities.

  1. The villain's cruel deeds cause us to feel wrath toward him. Although love and peace are his main aims, Friar Lawrence instigates the dangerous plan that has disastrous consequences.
  2. Juliet blindly places her faith in the Friar and when the plan backfires both Romeo and Juliet are too young, naive and innocent to think of other remedies. Nameless, they are not hemmed in by social convention.
  3. Supernatural elements are typically used to advance the story and drive the plot. They deliberately use inflammatory words and spoil for a fight.
  4. Sadly, Romeo also panics when he sees Juliet in the casket. Shakespeare understood that poetic justice rarely occurs outside of fiction.

He begs Romeo to show patience, which may have led to a different outcome. Pale and wildly impetuous, Romeo decides to go straight to her tomb. He remembers the memory of her kiss: While hiding in the garden, he sees Juliet on a balcony and overhears her declare that she loves him.

Romeo makes his presence known and the two discuss their love. Juliet agrees to marry Romeo if his intentions are honourable. Romeo assures her that is in honourable.

Romeo visits the Capulet mansion at night. She has simplistic faith in God. She remembers weaning Juliet when she was three years old. See the nurse and her role. In this case, it works against him. Tybalt and Mercutio have been conditioned to see the fight as inevitable.

They equate courage with aggression and aggression with masculinity, pride and honour. Romeo struggles to conform to these conditioned stereotypes and shows his conflicting emotions and loyalties.