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Narrative literature related about local travel agency

Share via Email Don't tell - show. Describe the colours, sounds and smells of what you see as vividly as you can. Something that grabs the reader's attention and makes them want to read on.

Breaking into Travel Writing: The 5 Elements of Writing Travel Articles

Don't start with the journey to the airport — start with something interesting, not what happened first. If there is a hook — a new trend, discovery or angle — make that clear within the first few paragraphs.

Narrative literature related about local travel agency

The piece should flow, but don't tell the entire trip chronologically, cherry pick the best bits, anecdotes and descriptions, that will tell the story for you. Quote people accurately and identify them, who are they, where did you meet them? Try to come up with original descriptions that mean something. Our pet hates include: It should sound like you. Don't try to be "gonzo" or really hilarious, unless you're sure it's working.

It's good to work in some interesting nuggets of information, perhaps things you've learned from talking to people, or in books or other research, but use reliable sources and double-check they are correct.

Eg say "there was a. Avoid tales of personal mishaps — missed buses, diarrhoea, rain — unless pertinent to the story. Focus on telling the reader something about the place, about an narrative literature related about local travel agency that they might have too if they were to repeat the trip. Five more tips from Guardian travel writers Author Giles Foden says he always feels travel writing benefits from a cinematic approach, in that you need to vary the focus — wide lens for setting and landscape; medium lens for context and colour; zoom lens for detail and narrative — and switch between the views in a piece.

Tips for travel writing

It may sound a bit precious, but it's a very handy tip for varying the pace of an article. Andy Pietrasik, head of Guardian Travel Travel journalism should add to the wealth of information already out there in guidebooks and on websites, so try to seek out the more off-the-beaten-track places to eat, drink, visit — often the places locals might frequent.

Revealing a new or different side to a destination will give your story a richness that you won't get with a description of a visit to the tourist cafe in the main square. Isabel Choat, online travel editor What sets good travel writing apart is detail, detail, detail.

Which cafe, on what street, overlooking what view? You must sweep the reader up and carry them off on the journey with you. Paint an evocation of where you are so we can experience it along with you. Be specific and drop "stunning", "breathtaking" and "fantastic" from your lexicon, otherwise it's just a TripAdvisor entry. Sally ShalamGuardian hotel critic An important rule of creative travel writing is to show, not tell, wherever possible.

Readers want to feel as if they're eavesdropping on a conversation, or being shown something secret and magical. People don't like being told what to think. If a child wearing rags made you sad, for example, describe the child, their clothes, the way they carried themselves. Assume readers are sentient. If you write it well, they will "feel" what effect the encounter had on you.

  1. Readers need to know where the story is based, who it concerns, how action unfolded, and so on.
  2. Readers want to feel as if they're eavesdropping on a conversation, or being shown something secret and magical. Share via Email Don't tell - show.
  3. The first uk literary agency opened in 1875 since then they have all been discovering and nurturing writing talent, to bring that talent to an international readership. A renowned modern library of fiction, poetry, essays, and visual art by celebrated and emerging artists, provided free to readers.
  4. Assume readers are sentient.
  5. Tour operators manual march 2007 some companies may serve a local market, and they can attract both domestic and international travelers a good example of travel agencies are perhaps the most visible companies in the travel trade. So explain it as vividly as possible.

This is much more powerful than saying, "I felt sad. It's easy to presume a lot, but your readers don't know what you've seen. So explain it as vividly as possible. Don't ever describe something as "characterful" or "beautiful" — this doesn't mean anything to anybody but you. Describe things as if you were explaining them to a blind person. To say a building is "old" isn't good enough; explain the colours, the peeling stucco, the elaborate, angular finishes on windowsills, the cleaning lady in a faded blue smock who was leaning out of a second-storey window with a cigarette dangling from her mouth.

There is a thin line between elaborate, colourful, evocative writing and pretentious tosh, but it's better to lean towards the pretentious tosh side of the spectrum than to be dull and presumptuous.

Benji Lanyado, Guardian writer and blogger Topics.