Homeworks academic service


The hemingway hero defined in the old man and sea by ernest hemingway

Certified Educator Indubitably, Santiago is the quintessential Hemingway code hero. The author himself has defined this hero: The distinction of Santiago from other Hemingway code heroes is that he has already attained his status of hero from the beginning of the narrative.

So, rather than becoming a hero, Santiago becomes the paradigm. Indubitably, Santiago is the quintessential Hemingway code hero. So, rather than becoming a hero, Santiago becomes the paradigm by which others can be measured. Grace under pressure Santiago exhibits "grace under pressure" from the beginning, exhibiting honor, courage and endurance.

He is an honorable fisherman, although he has not caught a fish in eighty-four days. He does not complain; instead, he talks to the boy about his hero, Joe DiMaggio, who endures terrible pain as he plays baseball with heel spurs.

  • He was too simple to wonder when he had attained humility;
  • And, despite losing all its meat to the sharks, Santiago returns with proof of his catch and attains fulfillment as he underscores again his manhood;
  • It is only by testing, by coming into confrontation with something that is dangerous that man lives with this intensity.

He still has "faith" and does not complain about his poverty. When the boy offers to get him four fresh fish, Santiago asks only for one.

  1. He does not complain; instead, he talks to the boy about his hero, Joe DiMaggio, who endures terrible pain as he plays baseball with heel spurs.
  2. Sometimes he is young, and sometimes old. But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride.
  3. He can turn a situation around so that it works for his benefit, but still while doing so he looses some, whether it be his physical strength, or his fishing reputation with the other fishermen. Ultimately, the code hero will lose in his conflict with life because he will die.
  4. He must put on his suit a certain way.
  5. A man can never act in a cowardly way. He was a man who moved from one love affair to another, who participated in wild game hunting, who enjoyed bullfights, who was involved in all of the so-called manly activities, which the typical American male did not participate in.

His hope and conficenccce had never gone. But now they were freshening as when the breeze rises. He was too simple to wonder when he had attained humility.

But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride.

  1. He expresses himself not in words, but in actions.
  2. The book is not a portrait; it is not static, despite that the main character's morals — his ideals- never really change.
  3. However, once he faces death bravely and becomes a man he must continue the struggle and constantly prove himself to retain his manhood.
  4. He does not complain; instead, he talks to the boy about his hero, Joe DiMaggio, who endures terrible pain as he plays baseball with heel spurs. The Hero, universally, expresses one key quality.
  5. Behind the formulation of this concept of the hero lies the basic disillusionment brought about by the First World War.

Of course, while he is in his boat for days catching the great fish and struggling against his exhaustion, age, the elements and the sharks, Santiago always thinks about what he is doing, and he exhibits tremendous courage and endurance as he argues against his pain. For instance, when his body begins to feel the strain of trying to capture the marlin, he thinks, My hand is only cut a little and the cramp is gone from the other.

Is Santiago of The Old Man and the Sea a hero?

My legs are all right. Also now I have gained on him in the question of sustenance. He honorably respects the fish; he knows he has gone out too far, past the boundaries that fish have set for man: Then, it went deep into the water and was gone. An individual who is free-willed Santiago lives his llfe as a fisherman; even though he has failed on eighty-four days, he does not talk of his failure, he does not quit.

He constantly repeats his process of going out in his boat each new day as he attempts to prove himself until the untimate defeat. On the day that he does catch a fish, Santiago faces the challenges before him freely and bravely by himself because he knows that in order to regain his pride, he must act alone.

Hemingway's Hero and Code Hero

So, he fights the great fish in what may be a losing battle. And, despite losing all its meat to the sharks, Santiago returns with proof of his catch and attains fulfillment as he underscores again his manhood.

This is why he dreams that night of the lions. The true measure is how death is faced Although Santiago loses the battle, he certainly has proven himself as a fisherman and a man of courage and strength to have gone out so far and caught such a big fish with only his hands.

Bravely, he has done all this, and bravely he has faced death. In the end, as Santiago dreams of the lions, it is evident that he is not defeated in mind, even though he has greatly injured his old body as something in his chest "was broken.