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The theme and the use of simple language in christina rossettis poem remember

However, its power seems to decrease through the poem, rather as if the voice and memory of the speaker is fading from life: Further repetition with variation is seen in: Tone The voice of the speaker is controlled but increasingly tentative, revealing as well as concealing meaning. The certainties of being able to remain with the beloved l. Investigating language and tone What indications are there that the speaker's statement that it would be better for the beloved to forget than to remember and be sad l.

How would you describe the tone of the speaker? Can you identify any places where the tone changes? What is the effect of using direct and simple language? Structure and versification Turning The act of turning forms a key structural pattern in Remember. The volta In line 9, the volta or turning point of the Petrarchan sonnetthe speaker's tone changes.

More on the volta: A volta is a term that is used to describe the shift in ideas as a sonnet moves from the octave to the sestet. Often, the six line sestet presents an answer or a solution to the problem outlined in the eight line octave.

Metre The traditional metre of a sonnet is iambic pentameter. The inversion of the first foot in l. Throughout Remember, Rossetti combines the repetition of words with the effect of the metre to highlight several important movements. Rhyme The rhyme scheme of the octave consists of two enclosed quatrains: The rhyme scheme of the sestet runs cddece.

By beginning with a cdd rhyme and then breaking into a different pattern, it emphases the shift of the speaker's thoughts. What is the effect of this? Consider the words that are rhymed.

What are the the main figures of speech in Christina Rossetti's "Remember"?

How can they be linked to create another level of meaning? A repeated line or section in poetry or song, similar to a type of chorus. A sonnet is a poem with a special structure. It has fourteen lines, which are organised in a particular manner, usually characterised by the pattern of rhyming, which changes as the ideas in the poem evolve. Use of a verb to issue a command e. Often the volta introduces a shift in tone as the speaker moves from uncertainty to resolution and voices a change in his or her ideas or plans.

In the style of Petrarch, an Italian poet of the sixteenth century, who created both a form of the sonnet and presented a courtly ideal of womanhood. A term used of speech rhythms in blank verse; an iambic rhythm is an unstressed, or weak, beat followed by a stressed, or strong, beat. It is a rising metre.

A line containing five stressed syllables or feet. A group of syllables which constitute a metrical unit within a line of poetry. In English poetry this includes stressed and unstressed syllables. The device, frequently used at the ends of lines in poetry, where words with the same sound are paired, sometimes for contrast ' for example, 'breath' and 'death'.

'Remember' - Language, tone and structure

The 8-line stanza of a Petrarchan sonnet, always occupying the first eight lines. It sometimes has a division halfway, creating two quatrains. It poses a problem or describes some single object or incident.

A quatrain is a 4-line stanza, usually rhyming. The 6-line stanza of a Petrarchan sonnet, occupying the last six lines, sometimes divided into tercets or couplets. It often resolves the problem posed in the octave or comments significantly on it.