Homeworks academic service


The writing style of bierce can be contributed from his war time experience

Unfortunately, Hemingway and many others have ignored a series of great Civil War short stories begun 11 years earlier. They were penned by a curmudgeonly journalist better known for his Edgar Allan Poe—like tales of the supernatural and for his mysterious disappearance into Mexico in 1914. Ambrose Gwinnett Bierce is rarely recognized as a first-rate literary stylist, but he used narrative techniques most critics now consider modern.

  • Like the child, they were unable to rely on their senses to tell them what was happening;
  • Like the child, they were unable to rely on their senses to tell them what was happening;
  • They also give us insight into the mind of a very uncommon Civil War soldier;
  • His family were poor but literate which is what got them by;
  • He was a true fighter and even received media attention for daring rescues.

He was severely wounded at Kennesaw Mountain on June 23, 1864, but returned to duty and participated in the decisive battle of Nashville.

Stephen Crane was born six years after the Civil War ended. His novel is unquestionably a literary masterpiece, written from the perspective of an individual soldier on the battlefield.

Ambrose Bierce Poems

But Crane substituted a brilliant imagination for his lack of military experience. He did use ideas and realistic details culled from stories told to him by old soldiers, and he read articles, memoirs, and regimental histories written by veterans during the last decades of the 19th century.

Instead of the romance of war and the manliness of a good fight between honorable adversaries that characterized the writings of most veterans, Bierce wrote about an ugly war that he cloaked in allegory, satire, sarcasm, irony, all surrounded by an aura of supernaturalism. His stories are often set far from the fields of battle. They usually dealt with the unseen war;, the war waged deep in the individual conscience of soldiers caught up in situations they could not control and rarely understood.

  • His family were poor but literate which is what got them by;
  • He tore away the masks of self-satisfying hypocrisy just as the cannon shell tore away the face of the mother of the now not-so-innocent child;
  • He did use ideas and realistic details culled from stories told to him by old soldiers, and he read articles, memoirs, and regimental histories written by veterans during the last decades of the 19th century;
  • Research Papers term papers Disclaimer;
  • What delighted him most in this life was the spectacle of human cowardice and folly" Discovering Authors Mencken, H;
  • Understanding just what Bierce saw requires paying close attention to the language he uses to convey his vision of how event and memory meld together to become history.

This highly personalized style was probably the only way he could imaginatively relive the obscenity he had somehow managed to survive.

Bierce wanted his readers to see the clouds of smoke, hear the ear-splitting noise, and smell the stench of gunpowder mixed with rotting flesh. In his stories, the brightest field or greenest mountain quickly turned into a gray twilight world populated by spectral wraiths floating among bloated corpses.

Ambrose Bierce Bio

In an era that extolled idealism, moral progress, and righteous causes associated with the war, Bierce was the first writer of his era to cry out that war was also about wasted lives, mutilation, disease, decay, and death.

Many scholars consider the incidents in this account as accurate renderings of events on the battlefield. But Bierce is setting a clever ambush for his readers just as he repeatedly set them for his fictional characters. The real and the super real or supernatural can and do exist simultaneously in his stories.

Research Papers/Ambrose Bierce research paper 1827

Understanding just what Bierce saw requires paying close attention to the language he uses to convey his vision of how event and memory meld together to become history. The 9th Indiana, part of the Army of the Ohio, arrived during the night of April 6, 1862, to reinforce the beleaguered forces of Major General Ulysses S.

Grant at Pittsburgh Landing, Tennessee. Those were lifted carefully to one side and abandoned. Ordered to clear a wooded area, the regiment had easy going at first.

A great gray cloud seemed to spring out of the forest into the faces of the waiting battalions. It was received with a crash that made the very trees turn up their leaves.

While the actual battle is never mentioned in the story, Bierce intended the title to represent all the death and destruction he witnessed on Civil War battlefields. Unable to see much beyond the man fighting next to them, soldiers were forced to fight deaf and blind.

Like the child, they were unable to rely on their senses to tell them what was happening. The child wanders off into a wooded area, falls asleep, and awakens at twilight to find that he is not alone.

  1. Bierce who was often considered bitter, opened a door to a new type of writing. While the actual battle is never mentioned in the story, Bierce intended the title to represent all the death and destruction he witnessed on Civil War battlefields.
  2. Although often portrayed as a realist for his accounts on the Civil War, "Bierce was not striving for documentary realism, as he himself admitted" Short Story Criticism 48.
  3. His writing style can be contributed to his war time experiences.
  4. The child completely misconstrues what he sees, while Bierce and the reader understand what the child cannot.
  5. The 9th Indiana, part of the Army of the Ohio, arrived during the night of April 6, 1862, to reinforce the beleaguered forces of Major General Ulysses S. Although often portrayed as a realist for his accounts on the Civil War, "Bierce was not striving for documentary realism, as he himself admitted" Short Story Criticism 48.

They crept upon their hands and knees only, dragging legs … They strove to rise to their feet, but fell prone in the attempt … The very ground seemed in motion toward the creek.

He awakens and finds himself in the midst of desperate men struggling to find water. The child completely misconstrues what he sees, while Bierce and the reader understand what the child cannot. The greater part of the forehead was torn away, and from a jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles—the work of a shell.

For Bierce, there is no resolution in victory or nobility in defeat.

By detailing the horrific death of one person, Bierce forces the reader to question the prevailing victory culture of the North and the myth of the Lost Cause of the South. He tore away the masks of self-satisfying hypocrisy just as the cannon shell tore away the face of the mother of the now not-so-innocent child.

But one contemporary writer understands combat the way Bierce did. What seems to happen becomes its own happening and has to be told that way. The Civil War stories Bierce left behind allowed him to put his physical and psychic wounds into words, thus enabling those long dead to speak eloquently to the living. They also give us insight into the mind of a very uncommon Civil War soldier.