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Uncertain play of events is william shakespeares specialty

William Shakespeare The English playwright, poet, and actor William Shakespeare 1564-1616 is generally acknowledged to be the greatest of English writers and one of the most extraordinary creators in human history.

The most crucial fact about William Shakespeare's career is that he was a popular dramatist. Born 6 years after Queen Elizabeth I had ascended the throne, contemporary with the high period of the English Renaissance, Shakespeare had the good luck to find in the theater of London a medium just coming into its own and an audience, drawn from a wide range of social classes, eager to reward talents of the sort he possessed.

His entire life was committed to the public theater, and he seems to have written nondramatic poetry only when enforced closings of the theater made writing plays impractical. It is equally remarkable that his days in the theater were almost exactly contemporary with the theater's other outstanding achievements—the work, for example, of Christopher MarloweBen Jonsonand John Webster. Shakespeare was born on or just before April 23, 1564, in the small but then important Warwickshire town of Stratford.

His mother, born Mary Arden, was the daughter of a landowner from a neighboring village. His father, John, son of a farmer, was a glove maker and trader in farm produce; he had achieved a position of some eminence in the prosperous market town by the time of his son's birth, holding a number of responsible positions in Stratford's government and serving as mayor in 1569. By 1576, however, John Shakespeare had begun to encounter the financial difficulties which were to plague him until his death in 1601.

Though no personal documents survive from Shakespeare's school years, his literary work shows the mark of the excellent if grueling education offered at the Stratford grammar school some reminiscences of Stratford school days may have lent amusing touches to scenes in The Merry Wives of Windsor. Like other Elizabethan schoolboys, Shakespeare studied Latin grammar during the early years, then progressed to the study of logic, rhetoric, composition, oration, versification, and the monuments of Roman literature.

The work was conducted uncertain play of events is william shakespeares specialty Latin and relied heavily on rote memorization and the master's rod. A plausible tradition holds that William had to discontinue his education when about 13 in order to help his father. At 18 he married Ann Hathaway, a Stratford girl.

William Shakespeare

They had three children Susanna, 1583-1649; Hamnet, 1585-1596; and his twin, Judith, 1585-1662 and who was to survive him by 7 years. Shakespeare remained actively involved in Stratford affairs throughout his life, even when living in London, and retired there at the end of his career. The years between 1585 and 1592, having left no evidence as to Shakespeare's activities, have been the focus of considerable speculation; among other things, conjecture would have him a traveling actor or a country schoolmaster.

The earliest surviving notice of his career in London is a jealous attack on the "upstart crow" by Robert Greene, a playwright, professional man of letters, and profligate whose career was at an end in 1592 though he was only 6 years older than Shakespeare. Greene's outcry testifies, both in its passion and in the work it implies Shakespeare had been doing for some time, that the young poet had already established himself in the capital.

So does the quality of Shakespeare's first plays: Early Career Shakespeare's first extant play is probably The Comedy of Errors 1590; like most dates for the plays, this is conjectural and may be a year or two offa brilliant and intricate farce involving two sets of identical twins and based on two already-complicated comedies by the Roman Plautus.

Though less fully achieved, his next comedy, The Two Gentlemen of Verona 1591is more prophetic of Shakespeare's later comedy, for its plot depends on such devices as a faithful girl who educates her fickle lover, romantic woods, a girl dressed as a boy, sudden reformations, music, and happy marriages at the end.

The last of the first comedies, Love's Labour's Lost 1593is romantic again, dealing with the attempt of three young men to withdraw from the world and women for 3 years to study in their king's "little Academe," and their quick surrender to a group of young ladies who come to lodge nearby. If the first of the comedies is most notable for its plotting and the second for its romantic elements, the third is distinguished by its dazzling language and its gallery of comic types.

Already Shakespeare had learned to fuse conventional characters with convincing representations of the human life he uncertain play of events is william shakespeares specialty. Though little read and performed now, Shakespeare's first plays in the popular "chronicle," or history, genre are equally ambitious and impressive. Dealing with the tumultuous events of English history between the death of Henry V in 1422 and the uncertain play of events is william shakespeares specialty of Henry VII in 1485 which began the period of Uncertain play of events is william shakespeares specialty stability maintained by Shakespeare's own queenthe three "parts" of Henry VI 1592 and Richard III 1594 are no tentative experiments in the form: Nothing so ambitious had ever been attempted in England in a form hitherto marked by slapdash formlessness.

Shakespeare's first tragedy, Titus Andronicus 1593reveals similar ambition. Though its chamber of horrors— including mutilations and ingenious murders—strikes the modern reader as belonging to a theatrical tradition no longer viable, the play is in fact a brilliant and successful attempt to outdo the efforts of Shakespeare's predecessors in the lurid tradition of the revenge play.

When the theaters were closed because of plague during much of 1593-1594, Shakespeare looked to nondramatic poetry for his support and wrote two narrative masterpieces, the seriocomic Venus and Adonis and the tragic Rape of Lucrece, for a wealthy patron, the Earl of Southampton. Both poems carry the sophisticated techniques of Elizabethan narrative verse to their highest point, drawing on the resources of Renaissance mythological and symbolic traditions. Shakespeare's most famous poems, probably composed in this period but not published until 1609, and then not by the author, are the 154 sonnets, the supreme English examples of the form.

Writing at the end of a brief, frenzied vogue for sequences of sonnets, Shakespeare found in the conventional 14-line lyric with its fixed rhyme scheme a vehicle for inexhaustible technical innovations—for Shakespeare even more than for other poets, the restrictive nature of the sonnet generates a paradoxical freedom of invention that is the life of the form—and for the expression of emotions and ideas ranging from the frivolous to the tragic.

Though often suggestive of autobiographical revelation, the sonnets cannot be proved to be any the less fictions than the plays. The identity of their dedicatee, "Mr. But the chief value of these poems is intrinsic: Lord Chamberlain's Men By 1594 Shakespeare was fully engaged in his career.

In that year he became principal writer for the successful Lord Chamberlain's Men—one of the two leading companies of actors; a regular actor in the company; and a "sharer," or partner, in the group of artist-managers who ran the entire operation and were in 1599 to have the Globe Theater built on the south bank of the Thames.

The company performed regularly in unroofed but elaborate theaters. Required by law to be set outside the city limits, these theaters were the pride of London, among the first places shown to visiting foreigners, and seated up to 3,000 people. The actors played on a huge platform stage equipped with additional playing levels and surrounded on three sides by the audience; the absence of scenery made possible a flow of scenes comparable to that of the movies, and music, costumes, and ingenious stage machinery created successful illusions under the afternoon sun.

For this company Shakespeare produced a steady outpouring of plays. Shakespeare's only tragedies of the period are among his most familiar plays: Romeo and Juliet 1596Julius Caesar 1599and Hamlet 1601.

Different from one another as they are, these three plays share some notable features: Continuing his interest in the chronicle, Shakespeare wrote King John 1596despite its one strong character a relatively weak play; and the second and greater tetralogy, ranging from Richard II 1595in which the forceful Bolingbroke, with an ambiguous justice on his side, deposes the weak but poetic king, through the two parts of Henry IV 1597in which the wonderfully amoral, fat knight Falstaff accompanies Prince Hal, Bolingbroke's son, to Henry V 1599in which Hal, become king, leads a newly unified England, its civil wars temporarily at an end but sadly deprived of Falstaff and the dissident lowlife who provided so much joy in the earlier plays, to triumph over France.

More impressively than the first tetralogy, the second turns history into art. Spanning the poles of comedy and tragedy, alive with a magnificent variety of unforgettable characters, linked to one another as one great play while each is a complete and independent success in its own right—the four plays pose disturbing and unanswerable questions about politics, making one ponder the frequent difference between the man capable of ruling and the man worthy of doing so, the meaning of legitimacy in office, the value of order and stability as against the value of revolutionary change, and the relation of private to public life.

The plays are exuberant uncertain play of events is william shakespeares specialty of art, but they are not optimistic about man as a political animal, and their unblinkered recognition of the dynamics of history has made them increasingly popular and relevant in our own tormented era. Three plays of the end of Elizabeth's reign are often grouped as Shakespeare's "problem plays," though no definition of that term is able successfully to differentiate them as an exclusive group.

All's Well That Ends Well 1602 is a romantic comedy with qualities that seem bitter to many critics; like other plays of the period, by Shakespeare and by his contemporaries, it presents sexual relations between men and women in a harsh light. Troilus and Cressida 1602hardest of the plays to classify generically, is a brilliant, sardonic, and disillusioned piece on the Trojan Warunusually philosophical in its language and reminiscent in some ways of Hamlet.

The tragicomic Measure for Measure 1604 focuses more on sexual problems than any other play in the canon; Angelo, the puritanical and repressed man of ice who succumbs to violent sexual urges the moment he is put in temporary authority over Vienna during the duke's absence, and Isabella, the victim of his lust, are two of the most interesting characters in Shakespeare, and the bawdy city in which the action occurs suggests a London on which a new mood of modern urban hopelessness is settling.

King's Men Promptly upon his accession in 1603, King James I, more ardently attracted to theatrical art than his predecessor, bestowed his patronage upon the Lord Chamberlain's Men, so that the flag of the King's Men now flew over the Globe.

  • In 2005 a new candidate, Sir Henry Neville, a courtier, diplomat, and distant relative of Shakespeare, was proposed;
  • His reputation grew quickly, and his work has continued to seem to each generation like its own most precious discovery;
  • More impressively than the first tetralogy, the second turns history into art;
  • Rye, Sussex, educated at Cambridge;
  • Critics further contend that playwriting was a lowly profession at the time and that the "real" author protected his reputation by using Shakespeare's name as a pseudonym.

During his last decade in the theater Shakespeare was to write fewer but perhaps even finer plays. Almost all the greatest tragedies belong to this period. Though they share the qualities of the earlier tragedies, taken as a group they manifest new tendencies.

The heroes are dominated by passions that make their moral status increasingly ambiguous, their freedom increasingly circumscribed; similarly the society, even the cosmos, against which they strive suggests less than ever that all can ever be right in the world.

As before, what destroys the hero is what is best about him, yet the best in Macbeth or Othello cannot so simply be commended as Romeo's impetuous ardor or Brutus's political idealism fatuous though it is. The late tragedies are each in its own way dramas of alienation, and their focus, like that of the histories, continues to be felt as intensely relevant to the concerns of modern men. Othello 1604 is concerned, like other plays of the period, with sexual impurity, with the difference that that impurity is the fantasy of the protagonist about his faithful wife.

Iago, the villain who drives Othello to doubt and murder, is the culmination uncertain play of events is william shakespeares specialty two distinct traditions, the "Machiavellian" conniver who uses deceit in order to subvert the order of the polity, and the Vice, a schizophrenically tragicomic devil figure from the morality plays going out of fashion as Shakespeare grew up. King Lear 1605to many Shakespeare's masterpiece, is an agonizing tragic version of a comic play itself based on mythical early English historyin which an aged king who foolishly deprives his only loving daughter of her heritage in order to leave all to her hypocritical and vicious sisters is hounded to death by a malevolent alliance which at times seems to include nature itself.

Transformed from its fairy-tale-like origins, the play involves its characters and audience alike in metaphysical questions that are felt rather than thought. Macbeth 1606similarly based on English chronicle material, concentrates on the problems of evil and freedom, convincingly mingles the supernatural with a representation of history, and makes a paradoxically sympathetic hero of a murderer who sins against family and state—a man in some respects worse than the villain of Hamlet.

Dramatizing stories from Plutarch's Parallel Lives, Antony and Cleopatra and Coriolanus both written in 1607-1608 embody Shakespeare's bitterest images of political life, the former by setting against the call to Roman duty the temptation to liberating sexual passion, the latter by pitting a protagonist who cannot live with hypocrisy against a society built on it.

Both of these tragedies present ancient history with a vividness that makes it seem contemporary, though the sensuousness of Antony and Cleopatra, the richness of its detail, the ebullience of its language, and the seductive character of its heroine have made it far more popular than the harsh and austere Coriolanus. One more tragedy, Timon of Athens, similarly based on Plutarch, was written during this period, though its date is obscure.

  • For this company Shakespeare produced a steady outpouring of plays;
  • Twentieth-century criticism can be sampled in Leonard F.

Despite its abundant brilliance, few find it a fully satisfactory play, and some critics have speculated that what we have may be an incomplete draft. The handful of tragedies that Shakespeare wrote between 1604 and 1608 comprises an astonishing series of worlds different from one another, created of language that exceeds anything Shakespeare had done before, some of the most complex and vivid characters in all the plays, and a variety of new structural techniques.

A final group of plays takes a turn in a new direction. Commonly called the "romances," Pericles 1607Cymbeline 1609The Winter's Tale 1611and The Tempest 1611 share their conventions with the tragicomedy that uncertain play of events is william shakespeares specialty been growing popular since the early years of the century. Particularly they resemble in some respects plays written by Beaumont and Fletcher for the private theatrical company whose operation the King's Men took over in 1608.

While such work in the hands of others, however, tended to reflect the socially and intellectually narrow interests of an elite audience, Shakespeare turned the fashionable mode into a new kind of personal art form. Though less searing than the great tragedies, these plays have a unique power to move and are in the realm of the highest art.

Pericles and Cymbeline seem somewhat tentative and experimental, though both are superb plays. The Winter's Tale, however, is one of Shakespeare's best plays. Like a rewriting of Othello in its first acts, it turns miraculously into pastoral comedy in its last. The Tempest is the most popular and perhaps the finest of the group.

Prospero, shipwrecked on an island and dominating it with magic which he renounces at the end, may well be intended as an image of Shakespeare himself; in any event, the play is like a retrospective glance over the plays of the 2 previous decades.

After the composition of The Tempest, which many regard as an explicit farewell to art, Shakespeare retired to Stratford, returning to London to compose Henry VIII and The Two Noble Kinsmen in 1613; neither of these plays seems to have fired his imagination. In 1616, at the age of 52, he was dead.

His reputation grew quickly, and his work has continued to seem to each generation like its own most precious discovery.

His value to his own age is suggested by the fact that two fellow actors performed the virtually unprecedented act in 1623 of gathering his plays together and publishing them in the Folio edition.

  • Prospero, shipwrecked on an island and dominating it with magic which he renounces at the end, may well be intended as an image of Shakespeare himself; in any event, the play is like a retrospective glance over the plays of the 2 previous decades;
  • More than 50 other names have been put forward as the "real" Shakespeare, ranging from the implausible, e;
  • They had three children Susanna, 1583-1649; Hamnet, 1585-1596; and his twin, Judith, 1585-1662 and who was to survive him by 7 years;
  • Some Shakespearean scholars, including A;
  • He is widely considered the greatest playwright who ever lived;
  • Veinberg, reveal a scientifically oriented approach to the problem of literary translation—for example, by applying the principle of linguistic adequacy.

Without their efforts, since Shakespeare was apparently not interested in publication, many of the plays would not have survived. Further Reading Alfred Harbage, ed.

For editions of individual plays the New Arden Shakespeare, in progress, is the best series. The authoritative source for biographical information is Sir Edmund K. A Study of Facts and Problems 2 vols. Reliable briefer accounts are Marchette G. Chute's highly readable Shakespeare of London 1949 and Gerald E. A Biographical Handbook 1961. The body of Shakespeare criticism is so large that selection must be arbitrary.

  1. The years between 1585 and 1592, having left no evidence as to Shakespeare's activities, have been the focus of considerable speculation; among other things, conjecture would have him a traveling actor or a country schoolmaster.
  2. Sumaro-kov in 1748, but he was still relatively unknown there even in the second half of the 18th century.
  3. The years between 1585 and 1592, having left no evidence as to Shakespeare's activities, have been the focus of considerable speculation; among other things, conjecture would have him a traveling actor or a country schoolmaster.

Samuel Taylor Coleridge 's Writings on Shakespeare, edited by Terence Hawkes 1959offers invaluable and influential criticism by a great romantic poet, and A. Twentieth-century criticism can be sampled in Leonard F. Modern Essays in Criticism 1957; rev. Other noteworthy studies include G. Wilson Knight, The Wheel of Fire: