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Mary shelley s frankenstein and ridley scott s

Shelley had a number of purposes for writing Frankenstein. Overarching, which was influenced by her Romanticist values, was to explore the consequences of disturbing the natural order the status quo. Scott created Blade Runner to warn of the many issues which he regarded as the outcome of a world that would existed forty years into the future.

  1. The film opens with an extreme long shot which affords the responder a view of the dystopian landscape and environmental degradation. The massive pyramid style buildings are depicted as the tallest, overseers of all society and is the only place where natural light can be seen, thus Scott warns that in such a society the ruling class will become more corporate rather than political.
  2. In Frankenstein, we as the reader are warned of what may be lost when humanity no longer takes responsibility for their actions.
  3. This life was a life without Elizabeth, William, Justine, Clerval and his father. The owner, Eldon Tyrell is its autocratic leader who represents the upper class in society; he is above all other citizens.
  4. To contrast the two stories is relatively simple; the two films share forms of differences in era and a basic human acceptance.

Similarly to Blade Runner, Scott provides a stark warning against the disruption of the natural order. By the absolute negation of it, Scott explores the importance of nature. Furthermore, he examines the morality behind the usurpation of God, the dangers of knowledge and science and the importance of social justice. Both texts, although set in different times, explore universal themes concerning the disruption of the natural order to create artificial life.

Both composers present a harsh critique of the society in which their text was created. This is particularly explored through the similar issues concerning class division and the social injustices this afforded citizens. Society, class and injustice: When exploring this in context Shelley saw such as a disruption in the natural order, thus Frankenstein forms a harsh warning against capitalism.

The English Revolution in 1642 saw Charles I oppose the parliamentary system where he lost the English Civil Wars and a republic was established, liberating citizens from autocracy. The French Revolution which occurred in the 1790s saw a movement away from the monarchy and aristocracy and towards a republic established on the principles of equality, citizenship and undeniable rights.

The Industrial Revolution which dominated the turn of the nineteenth century saw a movement towards capitalism. Shelley, writing her novel under these influences and, with her parents being mary shelley s frankenstein and ridley scott s connected with these ideas, ensured such were explored in her cautionary tale. The idea of monarchies ruling had been removed from society which Shelley and her anarchist father and husband would have respected, but replaced with capitalism where a new ruling class emerged.

In this society those with wealth assumed power, becoming the upper class. Everyone else belonged to the working class — the proletariat. This breakdown of ethical considerations at this stage was seen by Shelley as an absolute disruption in the natural order thus, Shelley makes an ardent warning against the effects that this oppression has. The industrial revolution challenged the values of compassion and community where human dignity was being sacrificed in the race for mass production and profits.

Apart from seeing the working class as their way to profit, the upper classes had no compassion towards them.

Victor Frankenstein represents the ruling upper class. This is shown when Clerval and Victor visit Oxford.

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The city had remained faithful to him, after the whole country had forsaken his cause to join the standards of Parliament and liberation. This establishes that Victor values the ideas associated with the ruling classes and oppression afforded by the Industrial Revolution. The Monster, therefore, represents the working class of society, being physically bigger and stronger while Victor is weak but wealthy and educated. Scott, being influenced by the political policies of Reagan saw how the world would turn out in a 2019 Los Angeles setting.

Amidst the threats of communism during the Cold War Reagan implemented policies to deregulate corporations, giving them more power. The effects are shown in Blade Runner where Los Angeles has become a degraded, dystopic society with little or no social construct apart from the obvious rule and dominance by corporation. There is obvious class division; shown as Bryant asks Deckard to come back and work as a Blade Runner. This, coupled with the dull lighting exposes the lack of social structure that is caused by unregulated corporation.

She warned of the social division and injustices this caused. Her almost autocratic style of government is depicted through the centralised government of the 2019 world. This is presented as Deckard flies to the Tyrell Building. The massive pyramid style buildings are depicted as the tallest, overseers of all society and is the only place where natural light can be seen, thus Scott warns that in such a society the ruling class will become more corporate rather than political.

As the elevator rises above the clouds, the cessation of the rain symbolises the division of the lower from the upper class.

Mary shelley s frankenstein and ridley scott s

The owner, Eldon Tyrell is its autocratic leader who represents the upper class in society; he is above all other citizens. There is little differentiation between the upper class Tyrell Corp. Scott, in both his warnings against Reaganism and Thatcherism, similarly to Shelley presents a critique on capitalism for its disruption in the natural order which affords social injustices upon citizens.

From the immediate opening of the film all the responder sees is industry. Here, in this 2019 Los Angeles, commercialisation and commoditisation encompass all facets of society. The inhabitants live constantly overwhelmed by building sized advertisements from massive companies such as Coca Cola, neon lights are omnipresent and dark towers of factories block out the sun.

Scott presents a world under extreme capitalism that is completely devoid of nature that even beauty, pleasure and life are commodities with production value. Replicants and animals are not born but manufactured and produced where their value is determined by their labour.

In this world, humanity is disturbingly stifled.

Fundamental need to sustain the natural mary shelley s frankenstein and ridley scott s Nature is linked to humanity itself for its nature that gives life. The natural world is inextricably linked to the human condition and provides support, both resourcefully and emotionally.

Shelley warns that removing nature is like extracting part of the soul. The romanticist movement grew from the dissatisfaction of the lack of ethics the industrial revolution began to afford. Victor removes the natural elements in creating the monster which can be seen as a sin against nature. Because of this he is punished. Hanging it around his neck as a good omen for his sailors, this begins the destruction of his journey and life.

The need to sustain the natural world is furthermore explored through the way nature temporarily reconciles Victor from his torment. It is critical in maintain his sanity for much of the novel. While Shelley explores the importance of nature and its connection to the human condition by presenting positive aspects of nature, Scott similarly does this, however, through the absolute negation of anything natural.

By removing any natural elements from his film, Scott warns against the lack or values and morality this ensures. Compensations will be made — often leading to violence.

Such policies sought to deregulate corporations amidst the fear of communism. As a result of living during this time, Scott used his film to provide a prediction of what the future would be like if corporations were given increased amounts of authority. This ubiquitous advertising indicates the unrestricted and over commercialisation of the Earth. Film noir techniques such as lack of lighting present the physical and ethical decay of society that resulted as a consequence of over exploitation by corporations.

The film opens with an extreme long shot which affords the responder a view of the dystopian landscape and environmental degradation.

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The landscape, dotted with flames is symbolic of what hell may look like. Scott furthermore warns of the potential of corporations, if given sufficient authority will overpower government and establish themselves as corporate forms of government. This is explored through the projection of the Tyrell Corporation as the dominant corporation. Scott uses the camera to zoom over the ziggurat style building, showing it as the highest, thus establishing it as a corporate form of government.

Only from the top of the Tyrell building can the sun be seen. Scott uses this image as a warning that corporation, if unrestricted will take what belongs to nature — the ability to give life.

Romanticists, such as Shelley, hated industrialisation for the unnatural life it afforded those who had to work in the factories. Humanity was being sacrificed in the race for mass production and profit. This challenged the values of compassion and community. The city symbolises her rejection of industrialism. Romanticism and Industrialism may be explored together.

It was the Industrial Revolution that began to reform society which saw the Romanticist movement evolve. Romanticism saw a movement back to nature; away from the rapid commercialisation of cities. Natural landscapes are presented in Frankenstein as places where peace is sought. Thematic Concepts in Frankenstein: Like Prometheus, Victor begins with noble intentions, but his actions lead to dreadful consequences.

Like fire in the Prometheus Myth, the monster is at first something good. However, through the actions of mankind becomes an evil force.